A small wooden marionette sits forgotten in a dusty corner, its strings tangled and frayed from years of neglect. When a curious child discovers it hidden away, something unexpected awakens. What begins as simple curiosity about the puppet's origins transforms into a journey that blurs the line between animate and inanimate, between controlling and being controlled. As the child works to restore the marionette, they uncover a tender history of connection and loss. Each repaired string becomes a thread linking past to present, revealing how objects hold memories and how care itself can be a form of resurrection. The film moves between quiet moments of restoration work and sequences where the puppet seems almost alive, creating an intimate meditation on what it means to truly see something forgotten. This is a story for anyone who has ever loved something broken, who understands that friendship doesn't require breath or heartbeat. Yanagihori's graduation film treats its simple premise with genuine tenderness, crafting something that speaks to loneliness, redemption, and the quiet magic of giving something a second chance.