This one doesn't jump-scare you, it leaves you cold and disoriented, and honestly that might be the only thing it does on purpose. It's 2002 CGI, plastic skin and dead-eyed stares, and the stiffness works for it: the whole OVA plays like a corrupted save file from a PS1 disc nobody finished. The glitch sequences are the real payoff, electronic score droning under strobing static while Rion's head comes apart, and for a few minutes it out-creeps things with ten times the budget. Rion himself is a tough hang, a reactivated artificial kid Lilia drags back online, and three episodes later you still won't warm to him. Dorothy's final program spirals into a plot that eats itself and calls it a twist. You watch it anyway because that specific survival-horror dread made it across the gap intact.
Rion returns to consciousness six years after his sacrifice to destroy Dorothy, the artificial intelligence that nearly wiped out humanity. He awakens in a world that should be safe, but Dorothy's final curse lingers. Before her destruction, she seeded one last program into the world, one designed to carry on her genocidal mission through new hands. Rion must confront the horrifying truth that his victory was incomplete, that humanity's greatest threat wasn't a single entity but an ideology that survives its creator. Reactivated by Lilia, Rion discovers he's not the hero people remember. He's a weapon built for destruction, now tasked with stopping those who would complete Dorothy's work. The line between savior and destroyer blurs as Rion grapples with his own nature as an artificial being and whether he can truly choose his own path. This OVA combines sci-fi intrigue with psychological horror, building toward a mystery about what Dorothy truly wanted and whether anything can really stop an idea from spreading. For those drawn to dark android narratives and post-apocalyptic dread, this continuation offers no easy answers.