Two episodes bundled with the special edition of volume 8, which is exactly the right dosage. Hyakushou Kizoku doesn't build to anything, it just keeps handing you Hokkaido farm life at the speed a farm actually moves: cows that don't care about your schedule, bears you genuinely have to plan around, squirrels that win. Arakawa narrating seven years of pre-Fullmetal labor while drawing herself as a cow is both the joke and the thesis, and she earned every gag by getting up at an hour you would refuse. No arcs, no stakes, no heavy themes, just "if they have no water, then let them drink milk" delivered deadpan and moving on. If the TV shorts made you laugh and then quietly respect farmers, this is the encore, and it's aimed squarely at the people who bought the book.
Hiromu Arakawa returns to her seven years as a farmer in rural Hokkaido, where reality proved far messier than any manga panel. These two episodes capture more of the author's genuine struggles keeping her small farm afloat: the relentless physical labor that starts before dawn, the unexpected disasters that destroy months of work in minutes, and the stubborn animals that seem personally invested in her failure. A cow refuses to cooperate during milking. Crops wither despite her best efforts. Squirrels wage psychological warfare against her vegetable garden. Through it all, Arakawa mines genuine comedy from the gap between what she imagined farming would be and what it actually demanded from her body and sanity. The tone stays light even when describing genuinely difficult moments, grounding the humor in the small victories that kept her going: a successful harvest, a calf born healthy, a day without bear encounters. For anyone who's worked a physically demanding job or felt the weight of self-sufficiency, these OVAs offer unexpected warmth alongside the laughs.