This one takes eleven minutes of your life and leaves a bruise you didn't ask for. It comes out of Shotaro Ishinomori's Jun, the semi-autobiographical experiment where he threw out dialogue entirely and let panels carry feeling on their own, and Takuya Inaba builds the short in that same register: no speeches, no swelling reveal, just image after image doing the talking. The commission came from the Ishinomori Manga Museum in Ishinomaki, the artist's hometown, the town the March 2011 tsunami took apart, and the piece is about that town still putting itself back together. Nothing here spectacles at you. Fans of Ishinomori know him for Kamen Rider and Cyborg 009, and this is the other side of him, the interior one. It's a museum in a rebuilt town saying thank you to its own dead in the only language its most famous son ever invented.
A young boy named Jun navigates a world where reality shifts beneath his feet, where buildings dissolve and reform, where the familiar becomes strange. His journey through this transforming landscape mirrors something deeper: the experience of living through change itself, watching your home reshape in ways both terrifying and necessary. Based on manga legend Shotaro Ishinomori's semi-autobiographical work, this animated short captures the peculiar magic of a mind processing transformation. Jun moves through his environment with the logic of dreams, encountering surreal imagery that speaks to loss, adaptation, and resilience. The wordless storytelling invites you into a deeply personal emotional space rather than spelling things out. Created as both a tribute to Ishinomori's imagination and to his hometown's recovery from devastating natural disaster, the film operates on two levels: as an intimate portrait of psychological resilience and as a meditation on communities rebuilt from ruins. It's brief but concentrated, asking you to sit with discomfort and find meaning in the spaces between what was and what emerges.