It slows your pulse. This is a Christmas Carol that gets under your skin through voice and song rather than spectacle, and the single strangest, best choice is Walter Matthau's Scrooge, a rasp so tired and mean it sounds like it hasn't been used kindly in decades. Tom Bosley narrates as B.A.H. Humbug, a bug who talks to you directly and keeps the whole thing from curdling into a lecture, and the 1956 musical score carries the emotional load, with Marley clanking through 'Mankind Should Be My Business' and Tiny Tim landing 'Yes, There Is a Santa Claus' without a single wink. The anime credential is real: Rankin/Bass farmed the animation out to Topcraft in Tokyo, the studio that would later dissolve into Studio Ghibli, and you can see it in the soft, patient backgrounds of Victorian London. Watch it once a December and let the bug do the talking.
A wealthy miser lives only for money, hoarding every penny while his community suffers in poverty around him. When Christmas Eve arrives, he remains unmoved by the season's goodwill, caring nothing for those who struggle or the nephew who extends an invitation to celebrate. That night, supernatural visitors arrive at his door. Three spirits materialize to show him truths he's refused to acknowledge: the consequences of his greed, the suffering his indifference enables, and the bleak future that awaits if he doesn't change his ways. Each visitation strips away another layer of his self-deception, forcing him to confront who he's become and what he's sacrificed for wealth. As dawn breaks on Christmas morning, he awakens transformed, finally understanding what truly holds value in life. This musical special captures the redemptive heart of a timeless story through song and animation, delivering a message about compassion and second chances that resonates across generations.