It spends twenty minutes being the dumbest fanservice comedy on the shelf and then quietly guts you, and it does that on purpose. The setup is pure nonsense: a space princess crashes into the family bathhouse Kazuto is barely keeping open, half her soul ends up in him, and she comes out the other side as a kid who can't be sent home without killing him. The gag work is genuinely unrestrained, the linework stays clean even when the show is at its silliest, and then the score walks in and starts treating the whole thing like it matters. That soundtrack is the reason people who should have dropped this in episode two are still defending it years later. Yes, the harem beats are stock and the romance is awkward by design. You'll still sit through the bath jokes for the ending.
Kazuto runs his family's public bathhouse with the kind of dedication most teenagers reserve for video games. His quiet routine shatters the night a UFO crashes into Earth, disgorging Walkyrie, a princess from deep space with an attitude to match her cosmic origins. When the accident literally binds them together through a shared soul fragment, Walkyrie finds herself stranded on this backwater planet. There's just one complication: the spiritual connection weakens her power, forcing her body and mind to regress into childhood. Now Kazuto has an alien princess living in his bathhouse who looks like a kid but still carries the arrogance of intergalactic royalty. Keeping her existence secret while running a business becomes impossible when she constantly causes chaos, blasts things with her powers, and refuses to acknowledge basic Earth etiquette. The show thrives on slapstick humor as Kazuto juggles his bathhouse duties, his new cosmic roommate, and the increasingly suspicious people around them. It's lighthearted comedy wrapped in sci-fi nonsense, where everyday life collides spectacularly with alien weirdness.