This one runs on the specific humiliation of a film crew that peaked once and has been coasting on it ever since. Nanaoka, Nanamori and the rest of the Expedition Team bagged Kiina, the legendary beast, and then produced absolutely nothing, which is exactly why Nanazon Prime Video has them first on the layoff list the second it buys out poor broke TV Na Na Na. Every episode is a few minutes of people scrambling to justify their own paychecks by chasing another monster, and the joke is never the monster, it's the budget meeting behind it. The Nanazon gag alone tells you how mean this show is willing to be about who actually owns television now. Short, cheap, deeply cynical, and funnier than it has any right to be about corporate restructuring.
When a massive streaming giant swallows up Nanaana, a scrappy little TV station, the layoffs begin immediately. The Expedition Team finds themselves on the chopping block despite their previous viral success, and they need a ratings miracle fast. Their salvation comes in the form of a wild gamble: an all-in hunt for the legendary Banakawa House treasure, a prize that's defeated every major network that's tried to chase it down. Director Nanaoka, cameraman Nanamori, and assistant director Nanayama throw themselves into the adventure with everything they've got. They're not just treasure hunters now, they're entertainers racing against the clock. Every discovery needs to be broadcast-worthy. Every setback has to become compelling television. The treasure hunt becomes a crash course in survival, problem-solving, and staying relevant in a ruthless industry. It's part comedy, part genuine adventure, and entirely about underdogs fighting to prove their worth when nobody's betting on them. The stakes feel real even when the situations get absolutely ridiculous.