Three episodes, and it never once pretends to be about anything. A dancing old man shows up in a dream, a preteen gets handed a goddess transformation and a bone-scrap costume, and Ongo, the little creature who is very obviously up to something, rides shotgun while the show animates all of it far harder than the premise deserves. That's the actual draw: Yuji Moriyama's cels move like there was real money and no supervision in the room, the drums and the opening theme lodge in your skull for a decade, and the gags land if you're the person they were aimed at in 1997. Nami and her unexplained powers are the closest thing to a plot thread, and it goes nowhere. You'll either bail in ten minutes or still be humming the OST years later.
Tomoe's ordinary day takes a surreal turn when she encounters a bizarre dancing stranger who offers her a chance at adventure. What begins as a hazy dream becomes shockingly real when a small creature named Ongo materializes in her life, insisting she's destined for something greater. Reluctantly, she finds herself pulled into a wild series of escapades alongside Nami, a quiet girl harboring strange and unpredictable abilities. Together, the trio stumbles through increasingly absurd situations that blur the line between magical girl fantasy and chaotic slapstick comedy. Tomoe never quite knows if Ongo is genuinely trying to help or secretly working toward some darker goal, adding an edge of uncertainty to their mismatched partnership. The adventure careens between genuine danger and ridiculous humor, with Nami's mysterious powers constantly catching everyone off guard. This OVA leans hard into irreverent comedy and over-the-top action sequences. It's designed for viewers who appreciate 90s charm mixed with playful fan service and aren't afraid of shows that prioritize fun and weirdness over coherent storytelling.